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Paramita Atmodiwirjo
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Interiority
Published by Universitas Indonesia
ISSN : 26146584     EISSN : 26153386     DOI : 10.7454
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Social Sciences
The journal presents the discourses on interiority from multiple perspectives in various design-related disciplines: architecture, interior design, spatial design, and other relevant fields. The idea of interiority emphasises the internal aspects that make and condition the interior, which might be understood and manifested through the users’ inhabitation, through the materiality of objects and built environment as well as through specific methods and approaches of design practice. The journal addresses the idea of interiority as both experienced and practised, which might be examined through theoretical discussion, spatial design practice and empirical interior research.
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol. 2 No. 2 (2019)" : 7 Documents clear
From Interior to Interiority: Locating Key Historical Moments in the Relationship between Spaces and Individuals Bruno Cruz Petit
Interiority Vol. 2 No. 2 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v2i2.52

Abstract

We spend increasingly more time in architectural interiors, spaces that can give us quality of life and interesting scenarios for the growth of identity and interiority. However, both spatial interior and psychological interiority faces difficulties inherent to contemporary life. This text proposes a critical review of the literature on the socio-spatial archeology of the subject in order to see possible paths of realisation of interiority in the present. The document presents several stages in the sociocultural evolution of an interior space that needs to be described with different adjectives (spiritual, hedonistic, promiscuous) and groups the most relevant contributions of the literature according to this proposal.
House, Street, City: Le Corbusier’s Research Towards a New Urban Interior Patrizio M. Martinelli
Interiority Vol. 2 No. 2 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v2i2.57

Abstract

Le Corbusier’s investigations, conducted between the 1910s and the 1930s, were focused on a new relationship between street and building. This research started from texts about the city, in particular, the writings of Eugène Hénard’s. These essays, dating back to 1903-1909, dealt with the necessity of a renewed strategy for the urban street, breaking down the monotony and the problems related to the sequence of buildings and creating a series of places as squares, gardens, and open courtyards: actual urban rooms between streets an buildings. Learning from those texts, Le Corbusier worked on a series of polemical writings about the rue corridor, collected in particular in The City of Tomorrow, Precisions and The Radiant City. A series of projects explored to the extreme consequences the topic: the Dom-ino building principle used for collective housing evolved to the redent, detached from the infrastructure, and the immeuble villa, with its inhabited façades. Finally, the curved redent for the Plan Obus in Algiers transformed the street itself into a "building as city" flowing in the landscape. The essay follows how Le Corbusier transforms the street and its traditional urban components in interior elements inside the buildings.
Breaking the Binary Oppositions of the Interior: A Momentary Permanence Roderick Adams; Lucy Marlor
Interiority Vol. 2 No. 2 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v2i2.58

Abstract

The previously static view of the interior is changing, as social, economic and cultural factors produce a new requirement for building flexibility and potentially forcing a change to the normal spatial paradigms. There is an emerging altered dynamic between building, interior and user, posing the question – when does architecture become the interior? Conceptions of the future interior give renewed focus to the more flexible void space, over the opposing static architectural shell. By adjusting the realms of contact within a space and limiting the influence of architecture, the user is re-envisioned as a central adjudicator of spatial experience. Provocatively, conceiving the interior as a more temporal or fluid entity, we may liberate its relationship with its immovable and constant architectural keeper. This paper will argue the dynamic city structure is driving a new conception of the interior and its place within society and architecture.
Tokyo’s Kyōshō Jūtaku: Nature through the Inside, Outside and the In-Between Cathryn Klasto
Interiority Vol. 2 No. 2 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v2i2.63

Abstract

Born out of conversations with Japanese architects, as well as intimate spatial encounters with small houses (kyōshō jūtaku) in Tokyo, this paper discusses the way in which nature emerges and functions within fourth generation small housing design. Japan’s relationship with nature has generated many interconnecting architectural layers over centuries, arising out of culture, religion and the practicalities and consequences of the country’s economy, climate and experiences of natural disasters. These layers have fostered a deep and complex connection to land, and as a result, there is still a high value placed on owning one’s own plot, no matter how small. Despite how most city-based plots are often accompanied by high taxes and complicated building regulations; the lure of the land prevails. Due to domestic plot sizes rapidly reducing after the burst of the Bubble Economy in 1992, kyōshō jūtaku became a reality for those wanting to remain within the greater Tokyo area. A consequence of this reduction was that Tokyoites had less domestic contact with nature, as gardens became a luxury that most could not afford. Therefore, architects designing kyōshō jūtaku began to creatively consider new and innovative ways nature could be reclaimed and experienced through design. Through discussing examples of Tokyo’s kyōshō jūtakuin relation to inside, outside and the in-between, this paper traces how current connective and fluid manifestations of nature contribute to the destabilisation of the public-private boundary. It demonstrates how nature plays a fundamental role in building more open relationships with the city, relationships which in turn allow small houses to function as critical micro-spaces within Tokyo’s thriving urban ecology.
Rationality and Creativity Interplay in Research by Design as Seen from the Inside M. Mirza Y. Harahap; Kate Tregloan; Anna Nervegna
Interiority Vol. 2 No. 2 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v2i2.65

Abstract

While research by design is critical in the development of architecture and design knowledge, there is still a need to deeply understand the design knowledge about the interplay between rationality and creativity in research-by-design projects. This paper attempts to address this issue by illustrating, rather than conceptualising, the inside process of a research by design project. The inside process will be discussed from three different points of view: (1) research or design interest tendency, (2) the performance of reflective attitude, and (3) a combination of views (1) and (2). The study resulted in an illustration of the interplay that suggests a dynamic forward-backwards act of thinking and making of a research-by-design project.
Interiority: At the Threshold Paramita Atmodiwirjo; Yandi Andri Yatmo
Interiority Vol. 2 No. 2 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v2i2.66

Abstract

Being at the threshold offers an ambiguous spatial experience. The idea of threshold is relevant to the discourse of interiority, as it expands our understanding of the opposing condition of inside-outside, or interior-exterior, which have become the recurring themes in many discussions on interiority. This issue of Interiority attempts to address what actually occurs at the threshold – the occupation and the experience of the threshold. The contributors in this issue address the emergence of spatial ideas that define the new relationship between inside and outside, between interior and architecture.
The Visual Mechanisms of Seeing in Experiencing the Interior Maria M. C. Sengke; Triandriani Mustikawati
Interiority Vol. 2 No. 2 (2019)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v2i2.67

Abstract

This paper discusses the visual mechanisms of seeing and their significance in experiencing an interior space. The discussion investigates what the observers can obtain from seeing activities. The aim is to emphasise on the role of seeing as a way of constructing the relation between human and the interior environment. The paper explores the mechanisms of seeing by focusing on two different ways, which are seeing in a static position from a point of observation, and seeing while moving through a path of observation. The exploration in a hospital setting finds out that seeing from a point of observation gave a visual range determined by the body's shaft motion, head motion, and eye movement. This way of seeing produces visual information on interior space, which consists of vertical and horizontal fields. Seeing while moving will create a path of observation that gave an optical flow containing dynamic and continuous visual information. The understanding of seeing mechanisms in interior environment can generate a design with better human-interior relation.

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